For me, summer reading requires water — living water that I can see,
hear and smell. The book itself needn’t involve water, but if it does,
so much the better.
Michael Ondaatje’s The Cat’s Table is a perfect example. This latest
from the author of The English Patient tells the story of an 11-year-old
boy’s voyage in 1953 from Ceylon (now Sri Lanka) to a new life in
London. Michael is a low-fare passenger and is thus seated at the table
furthest from the Captain’s — the Cat’s Table. There he meets two other
boys and an engaging fringe group of eccentrics.
The boys run wild,
exploring, eavesdropping and observing much that they don’t fully
understand. They discover a heavily-guarded prisoner in chains, learn
about jazz and literature, and monitor the seduction of a young woman by
an exotic acrobat.
The depths of this life-changing voyage are only vaguely grasped by
these boys facing the end of childhood. It is the adult Michael who
begins to realize the true impact, that “over the years, confusing
fragments, lost corners of stories, have a clearer meaning when seen in a
new light, a different place.”
A captivating tale with a perfectly realized setting, The Cat’s Table is
full of reflection-worthy moments when you can look up and gaze out
over the water, seeing in a new light, from a different place.
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